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Folk music and instruments of Rajasthan

In the villages of Jaisalmer and Barmer, Manganiyar and Langa families have sung for their patrons for generations, to the sound of the kamaicha and sarangi. Elsewhere, Bhopas sing the epic of Pabuji to the ravanhattha, and Allah Jilai Bai's "Kesariya Balam" became Rajasthan's signature song. Folk music, performers and instruments for RAS.

1 Oct 2026 4 min read

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In this guide
  1. The hereditary musicians of the desert
  2. Maand and Allah Jilai Bai
  3. The Bhopas and the epic of Pabuji
  4. Other performers and song forms
  5. Instruments
  6. Why folk music matters
  7. Practice

When the sun sets over the dunes near Jaisalmer, it is not unusual to hear a voice rise above the sound of a bowed string instrument — a Manganiyar singer performing a song that the singer's family has sung for centuries. The folk music of Rajasthan is one of the richest in India, carried by communities of hereditary musicians, devotional singers and storytellers, and played on instruments found nowhere else. RAS asks about both the performers and the instruments.

The hereditary musicians of the desert

Manganiyars

  • A community of hereditary Muslim musicians from Jaisalmer and Barmer.
  • Traditionally performed for Hindu Rajput patrons (jajmans) at births, weddings and festivals, receiving gifts in return — a relationship lasting generations.
  • Their main instrument is the kamaicha, a bowed string instrument with a large, round resonator covered in goatskin.
  • Their repertoire includes devotional songs, ballads, and songs praising patrons.

Langas

  • Another community of hereditary Muslim musicians from western Rajasthan (around Barmer and Jodhpur).
  • Traditionally performed for Sindhi Muslim patrons (such as the Sindhi Sipahis).
  • Known for the Sindhi sarangi and the algoza (double flute).

In recent decades, many of these musicians have performed internationally, and projects to document and support them have grown. At the same time, the old patronage system has weakened, and livelihoods have become more precarious.

Maand and Allah Jilai Bai

Maand is a refined, semi-classical singing style of Rajasthan's courts, associated with themes of love, longing and the desert landscape.

Allah Jilai Bai (1902–1992) of Bikaner was its most famous exponent. Her rendition of "Kesariya Balam" — a song of welcome — became Rajasthan's signature song. She received the Padma Shri in 1982.

The Bhopas and the epic of Pabuji

The Bhopas are priest-singers who perform the epic of the folk deity Pabuji at night, in front of a long painted phad scroll. A Bhopa sings and plays the ravanhattha (a simple bowed instrument with a coconut-shell resonator), while his wife, the Bhopi, holds a lamp to light the relevant part of the scroll and joins in the singing. Similar performances narrate the story of Devnarayan.

Other performers and song forms

Performers / formNotes
KalbeliyasSnake-charmer community; music accompanies the Kalbeliya dance (see our post on dances)
KamadPerform Terah Taali in honour of Ramdevji
Jogis of Alwar (Mewat)Sing ballads to the bhapang
Panihari songsSongs of women carrying water
Kurja songsA woman sends a message to her absent husband through the kurja bird (demoiselle crane)
Holi songs (phag)Sung with the chang drum
Bhajans of Mirabai and other saintsDevotional songs across the state

Instruments

Indian instruments are traditionally classified into four groups. Rajasthan has distinctive examples of each.

TypeMeaningRajasthan examples
Tat vadya (string)Plucked or bowed stringsKamaicha (Manganiyars), Sindhi sarangi and Gujratan sarangi (Langas), ravanhattha (Bhopas), ektara, bhapang (a single-string instrument played by pulling a string attached to a drum-like body; associated with Alwar)
Sushir vadya (wind)Wind instrumentsAlgoza (double flute), satara, murli, shehnai, poongi (snake-charmer's pipe), narh
Avanaddh vadya (membrane percussion)DrumsNagara, dhol, chang (large frame drum for Holi), damru, matka
Ghana vadya (solid percussion)Instruments struck togetherKhartal (wooden clappers), manjira (small cymbals used in Terah Taali), morchang (jaw harp — sometimes classified with wind)

Why folk music matters

  1. It preserves oral history — genealogies, ballads and epics.
  2. It shows communal harmony — Muslim musicians, Hindu patrons, shared devotion.
  3. It is a tourism asset — the Jodhpur RIFF (Rajasthan International Folk Festival) and desert festivals showcase it.
  4. It faces challenges — declining patronage, migration, commercialisation.

Practice

Prelims-style:

  1. Which community plays the kamaicha?
  2. Which instrument is associated with the Bhopas of Pabuji?
  3. Who sang "Kesariya Balam", and when did she receive the Padma Shri?
  4. Which instrument is associated with the Jogis of Alwar?
  5. What is the algoza?

Mains-style (50 words): Who are the Manganiyars?

Mains-style (100 words): "Rajasthan's folk music is a living example of cultural syncretism." Discuss.

A note on dates and numbers. Exam patterns, vacancies and schedules change from year to year. Always confirm the current details in the latest notification on the Rajasthan Public Service Commission website .

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